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Compact laminate resistant to chemicals
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Writable & magnetic HPL surfaces
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Metal High Pressure Laminate
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Digital printing enables the customisation of any laminate surface.
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Our sustainable choice: a laminate core made from 100% post-consumer recycled kraft paper.
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Turnkey façade solutions featuring optimized panels, shop drawings and installation-ready performance.
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Digital printing enables the customisation of any laminate surface.
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Velwood

Sei

Velwood

Bark

Cross

Root

Holz

Nutshell

Microline

Aquarama

Grainwood

Grana 2

Climb

Papier

Dharma

Ostuni

Geo

Pluriball

Bigline

Surfline

Magma

Satinata

Millerighe

Morbida

Lucida

Longline

Millerighe 2

Mandarin

Zodia 3

Zodia

“66”

Luc-2

Sei due

Sei
Latest edition
Digital CircusAlessandro Mendini e Paola Navone
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Print HPL
Thin high pressure laminate
Stratificato HPL
Decorative compact grade laminate

Stratificato QSP
Decorative Compact Grade Laminate - Made In the USA
Polaris
Soft touch, anti-fingerprint laminate
Metalli
Metal High Pressure Laminate
Labgrade & Labgrade Plus
Compact laminate resistant to chemicals
Magnetico
Writable & magnetic HPL surfaces
Metalli
Metal High Pressure Laminate
Full-Colour
Colored core laminate
Abet Digital
Make your own laminate, Digital printing enables the customisation of any laminate surface.

MEG QSP
Exterior Grade Phenolic Façade Panels - Made in the USA
MEG
Decorative panels for façade solutions
Externa
Outdoor floorcovering HPL panel
Abet Digital
Make your own laminate, Digital printing enables the customisation of any laminate surface.
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Abet Digital
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This is the reason behind Sottsass’s experimentation with laminates, which was later taken up by the entire Memphis group. The idea of ‘bacterio’, along with that of other designs, derives from common, everyday materials and objects such as terrazzo, chain mesh and sponges. For Bacterio, Sottsass detailed the surface structure and shape of a Buddhist temple in Madurai, India, which he then abstracted into a field of black squiggles.
Ettore Sottsass
An eclectic figure in the Italian design scene, he began his career in Milan in 1947. He devoted himself to research and formal experimentation in art, architecture, design and literature. In the 1970s, he was one of the leading figures in radical architecture and was among the founders of the ‘Global Tools’ school of free individual creativity, contributing to the magazines Domus and Casabella. He was the creator of Memphis, one of the most interesting phenomena in the field of furniture and object design. His works and critical interventions are published in leading international architecture and design magazines and are documented in essays and publications dedicated to him.
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